Perhaps the most extreme and unique era of jewellery design, the Brutalist era encompased a celebration of raw and natural forms. One of the most celebrated and recognized designers of the era was Andrew Grima, often referred to as the father of modern jewellery.
This special piece was from a period of design refered to as the 'Rock Revival' and I was drawn instantly to this particular design c1970s in which Andrew Grima used raw gemstone crystals for his work.
Up until early 1970s Grima and many other London designers were using locally sourced gems for their work, however the rocks used in Grima's new collection, were sourced from all over the world. They represented an exotic, intoxicating array of colours, forms and textures. They included slices of polished agate from Australia; royal blue sodalite from Canada; green banded malachite from the Urals; and from Minas Gerais in southwest Brazil, precious topaz, rough amethysts, tourmalines and citrine crystals. This piece features hexagonal trigonal terminated crystal which was what Andrew Grima was so passionate about, the raw untouch natural form of gems and prescious metals. It has been wrapped in his signature organic textured heavy 18ct yellow gold. This is a once in a lifetime find. I have not seen another pin from this era as you do tend to see more rings, necklaces and brooches. This was perhaps commissioned for a very fashionable client for their tie, hat or lapel. This features the Grima Hallmark and his daughter Francesca, who now runs the jewellery company was able to confirm its authenticity. Marvelous condition this is something so tactile that ads weight and design to any outfit.l
Weight 4.95g
Quartz Maderia Citrine Crystal
1@ 11.15 x 7.25 x 7.48mm (Approx 2.25cts)
Hexagonal Structure/Trigonal Terminatated
Strong Orange Yellow
Valued $3890